Effects Pedals → Pitch, Harmonizer, Filter

Pitch, Harmonizer, Filter

  • BOSS HARMONIST PITCH SHIFT AND HARMONY PEDAL
    BOSS HARMONIST PITCH SHIFT AND HARMONY PEDAL
    Meet the new BOSS harmonist, with four intelligent pitch-shift effects and three-voice harmony in one convenient unit. Among the effect modes are Harmony, Pitch Shifter, and Detune, plus the all-new Super Bend for authentic pedal-bending effects and wild three- and four-octave pitch sweeps. You can even control pitch with an optional expression pedal. The harmony function is fast and simple to use, and supports a variety of interval patterns. It’s easy to create rich, three-voice harmony: choose a major or minor key, and set SHIFT to 3-VOICE—that’s it! The PS-6 Harmonist is an unbeatable combination of superior sound quality, ease of use, and powerful pitch effects, all under one hood.
    • Four effect modes in one stompbox: Harmony, Pitch Shifter, Detune, and S-BEND (Super Bend)
    • Easily create two- or three-voice harmonies with selectable key and voicing
    • High-quality pitch shifting
    • Three-voice Detune capability
    • Super Bend provides up to four octaves of extreme pitch bending
    • Control pitch via expression pedal (optional BOSS FV-500L/H or Roland EV-5)
    • BOSS five-year warranty


    The PS-6 is the new-generation pedal for harmony shifting. Sound quality has been improved dramatically thanks to the DSP that is unparalleled in power. With the PS-6, you can render complex harmony voicings beautifully, naturally, and easily.

    The PS-6 can generate two or three voices, such as direct/third/fifth, in each of the following modes: Pitch Shifter, Detune, and Harmony. This will add rich depth to your guitar sound. Detune broadens the sound in a natural way, as the PS-6 allows 3-voice detuning with slightly raised and lowered pitch added to the direct signal. Voices can also be pitch-shifted one octave up and a fifth below your note — great for arpeggio-style playing, for example.

    This amazing effect bends pitch across a 7-octave span, from –3 to +4 octaves! Set the Rise and Fall time to your taste. You can control the bending effect in real time with the pedal’s knob or from an external pedal such as Roland’s EV-5 Expression Pedal (sold separately).

    Manipulate a wide variety of effects using simple operations. In Harmony mode, for example, all you have to do is select the key, specify whether it’s major or minor, and use the SHIFT knob to select the voicing you want to use. The Shift knob switches between the different pitch settings available in each mode.

    BOSS compact pedals are world-famous for their great sound as well as their road-tough construction, consistency, and reliability. The PS-6 inherits this BOSS-proven design, offering guitarists a solidly constructed pedal that’s built to withstand decades of demanding use.
    Price: $170.99
  • Boss MO-2 Multi Overtone
    Boss MO-2 Multi Overtone
    EXPRESSIVE COMPACT WITH DISTINCTIVE, ALL-NEW TONES
    Powered by Multi-Dimensional Processing technology (MDP), the MO-2 Multi Overtone uses your guitar’s harmonic characteristics to create a wide range of extraordinary new sounds.

    Next-generation BOSS compact pedal with innovative Multi-Dimensional Processing, realized with proprietary technology and custom DSP
    Impressive, harmonically rich sounds that compliment and enhance your straight guitar sound
    Works well with both clean and distorted guitar tones, and also bass guitar
    Ultra-responsive to volume changes and playing dynamics
    Three different sound modes; wide range of tonal adjustment with simple controls
    Mono or stereo output
    BOSS five-year warranty
    Price: $147.99
  • Boss OC-5 Octave Pedal
    Boss OC-5 Octave Pedal
    Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.
      Features
    • The industry-standard octave pedal, updated with enhanced features
    • Newly developed tracking technology provides more accurate response and natural feel with no latency
    • Vintage mode faithfully reproduces the mono sound of the original OC-2
    • Poly mode for chord playing; Range knob sets the note range where the effect is applied
    • Lowest Range setting in Poly mode applies the octave effect to only the lowest note in a chord
    • New octave-up effect, available on its own or blended with octave-down effects
    • Mode switch optimizes the tracking engine for guitar or bass
    • Direct out for wet/dry setups
    • BOSS five-year warranty
    Regular Price: $157.99
    Guaranteed Best Price: $149.99
  • DigiTech DROP Polyphonic Drop Tuning Predal
    DigiTech DROP Polyphonic Drop Tuning Predal
    The DigiTech® Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your toes.
    Regular Price: $333.00
    Guaranteed Best Price: $239.99
  • Digitech Freqout frequency dynamic feedback generator
    Digitech Freqout frequency dynamic feedback generator
    The DigiTech FreqOut Natural Feedback Creator allows you to get sweet, natural feedback at any volume, with or without distortion. The FreqOut is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. However, the FreqOut can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position.
    Regular Price: $330.00
    Guaranteed Best Price: $239.99
  • DigiTech Whammy Pitch-Shifting Pedal
    DigiTech Whammy Pitch-Shifting Pedal
    A legendary effect that's spanned 23 years and graced over 700 million albums. There is no doubt that the DigiTech Whammy Pitch-Shifting guitar effects pedal is a pedal board must have. Pitch shifting effects help a guitar performance stand out, and the Whammy pedal has been a core pitch shifting effect for influential artists for over 20 years. Whammy artists have won over 60 Grammys using the Whammy pitch shifting sound to enhance their music. Its songs echo the hallways of the Rock & Roll Hall of Fame, and can be found on over 700 million albums around the world. The legendary Whammy pedal is the premier pitch shifting pedal for any guitarist's board, and it only gets better with classic single note Whammy bends, chordal pitch shifting and true bypass.
    Regular Price: $373.00
    Guaranteed Best Price: $299.99
  • DOD Envelope Filter 440 with two Voice Settings
    DOD Envelope Filter 440 with two Voice Settings
    The 440 has all of the quack, squee, squonk, chicka, mwomp, and weeeooow, that you could ask for. It works equally well on guitar, bass, and keys. Use out for funky chordal work, simulated wah, or trippy drawn-out filter sweeps. While 440 is a faithful recreation of the vintage 440, the addition of the up/down toggle gives it a modern sonic twist.
    Regular Price: $181.00
    Guaranteed Best Price: $129.99
  • Earthquaker Devices Rainbow Machine Polyphonic Pitch Mesmerizer
    Earthquaker Devices Rainbow Machine Polyphonic Pitch Mesmerizer
    Polyphonic Pitch Shifting Modulator

    Welcome to the Rainbow Machine, in all its synthetic glory! This one is for experimenters, adventurists and noisemakers. Totally not for purists and/or tone hounds, there are no “natural sounds” that will come from this box. It takes modern DSP and uses it as a tool of future past to create real time pitch shifting using digital oscillators. The sound is much different than most modern day pitch shifting devices. It was imagineered to be wild and out of control and slightly imperfect while still tracking up and down the guitar neck without glitching out.

    A cold digital beast made to pretend it has feelings. It will do basic polyphonic harmonies from a 4th down through a 3rd up and every atonal pitch in between. You may add in an accompanying octave of the harmony by bringing up the Secondary function control. You can take it way beyond and open up your third eye by bringing in the Magic.

    The Magic is the heart of the Rainbow Machine. In conjunction with the Tracking control, the Magic creates wild pitch take offs and descents, chaos chorusing, shrieks, pixie trails and wealth of other general mayhem inducing noises. The pitch can be controlled by an external expression pedal for extra fun!

    The Rainbow Machine can be used on bass, keys, vocals or anything else you can dream up! This device has become a main stay of so many studios and touring musicians that we have lost count!

    All digital wet signal with an all analog dry signal, true bypass switching and handmade one at a time by warm blooded human beans in the swamps of Akron, Ohio.
    Price: $229.00
  • Earthquaker Devices Spatial Delivery V3 Envelope Filter w/ Scramble and Hold
    Earthquaker Devices Spatial Delivery V3 Envelope Filter w/ Scramble and Hold
    For all the Spatial Delivery diehards, all of the funky, familiar features of the original are still in place. It boasts three modes - switchable Up Sweep, Down Sweep and Sample and Hold functions - along with Range, Resonance and Filter controls. Get some wild filter sweeps with the Up and Down modes and adjust the Range to control the sensitivity and reaction time of the envelope, altering the width of the frequency sweep. In the Sample and Hold mode, the Filter is controlled by random voltage and the Range controls the speed. The Filter can be crossfaded between high pass (counterclockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice. Try to find something funky and formidable that the Spatial Delivery can’t do - we dare you!
      CONTROLS
    • Mode: This toggles between upward sweep, downward sweep or sample and hold.
    • Range: Adjusts the sensitivity of the envelope in Up and Down mode. In Sample and Hold mode, this controls the speed.
    • Filter: This crossfades between high pass and low pass filters and allows you to get everything in between. High pass is fully counterclockwise, low pass is full clockwise and center is band pass. This is much more useful than a simple switch you would typically find on a multi-mode because it allows you to blend the filters for different sounds!
    • Resonance: This is the filter feedback control. It adds more body and ring to the filter voice.
    • Presets: Six available preset slots for you to save and recall your favorite settings! The settings for each of the three controls, the mode switch and the expression jack assignment can be saved and recalled in any of the slots.
      Tech Specs
    • V3 update to our popular three-mode envelope filter with the added ability to save and recall six presets and user-assignable expression control
    • Range, Filter, and Resonance knobs dial in the sound in each of the 3 modes
    • Mode Up: Sweeps the filter up
    • Mode SH: The filter is controlled by random voltage and the Range controls the speed
    • Mode Dn: Sweeps the filter down
    • User-assignable expression control
    • Two global operating modes which are indicated by the color of the Save/Recall switch:
    • Green = Live Mode
    • Red = Preset Mode
    • ·True bypass
    • Silent relay-based switching with Flexi-Switch® Technology
    • Lifetime warranty
    • Current Draw: 75 mA
    • Input Impedance: 500 kΩ
    • Output Impedance: 100 Ω
    Price: $199.00
  • Earthquaker Devices Sunn O))) Life Pedal Octave Distortion + Booster
    Earthquaker Devices Sunn O))) Life Pedal Octave Distortion + Booster
    Sunn O))) and EarthQuaker Devices are pleased to bring you the Sunn O))) Life Pedal Volume III.

    The Sunn O))) Life Pedal circuit has been meticulously tweaked from the original to squeeze every last drop of heavy crushing tone available. The octave section has been fine tuned to make it more pronounced without losing the bottom end and we added a third footswitch, utilizing Flexi-Switch® Technology, for the octave to allow an additional method of quick and radical tone shaping. We are excited to have this back in permanent production, it is a true labor of love.

    Birth of the Sunn O))) Life Pedal

    n the writing sessions for Life Metal Stephen & Greg worked extensively shearing their tones toward a broader energy spectrum over high powered saturation and across planes of sonic character, with the ambition to take full advantage of Steve Albini’s (the recording engineer for the album) exacting capture skills.

    The results are astounding: there is breadth and luminosity of colour, vast sonic cosmoses, flashes of abstract colour (synthetic and objective) through resulting themes which emerged from the mastered depths of saturation and circuits between the two players and their mountains of gear.

    The Sunn O))) Life Pedal is designed to represent the core front end chain used in those sessions, to drive the tubes of the band’s multiple vintage Sunn O))) Model T amplifiers (or take your fancy) into overload ecstasy. This is a 100w tube amp full stack’s holy dream, or its apostate nightmare.

    An octave fuzz inspired by the Shin-Ei FY2 & FY6 units leads the circuit into a brutal big box rodent inspired distortion, recreated with the best components, and including a three-way clipping switch (op Amp, Asymmetric & Symmetric). Second stage is a purely clean boost to further overdrive the preamp tubes of your vintage system into -scaped harmonics, and feedback overtone bliss.

    Chasms are cleared, mountains sheared, glaciers calved, novæ birthed. Vintage valve amplifiers recommended. We hope you transcend.

    Designed and manufactured by EarthQuaker Devices in the dark corridors of Akron, Ohio.

    What is it?

    Sunn O))) Life Pedal is a distortion with a blendable analog octave up and a booster combined in one compact package. The “Amplitude” side is faithfully modeled after the classic “White Face” distortion unit, using modern, reliable components to last a lifetime. The only modifications made to the original circuit are in the clipping section. The traditional circuit uses a single pair of silicon diodes for a tight, compressed crunch. The Sunn O))) Life Pedal introduces two additional clipping options to better adapt to different rigs. The first position is no diodes to allow for full, grinding OpAmp assault at maximum volume. The second position utilizes two silicon diodes and one LED in an asymmetrical clipping configuration. This delivers a slightly compressed and smooth crunch, similar to a valve amplifier. The last position is the stock double silicon diode configuration which provides that classic tone you know and love.

    The Octave in Sunn O))) Life Pedal is an all-discrete, analog full-wave rectifier base on a classic vintage design. Located at the input of the circuit, the Octave control slowly blends in the octave effects as you turn it clockwise. This feature can also be used via expression control allowing for wild, hands-free octave swells mid-riff or using the footswitch for immediate octave fuzz destruction. Because this is an analog octave effect, it is monophonic and works best playing single notes above the twelfth fret while using the neck pickup. Playing chords with the analog octave will sound clanging and chaotic. Using the bridge pickup and playing below the twelfth fret will produce a very subtle octave effect. Going full Octave transforms Sunn O))) Life Pedal from a simple distortion device into a swelling, raging fuzz similar to the classic Super Fuzz!

    The “Magnitude” section is a simple all-discrete MOSFET booster designed to blast your preamp tubes and drive them wild. It is a 100% clean, no-nonsense, high impedance booster that adds very little color to your tone. It does not add distortion on its own but has plenty of output to push your amp into saturation.

    The signal path goes Octave>Distortion>Boost. The octave distortion and booster can be used independently with their own respective footswitches.
    • Sunn O))) Life Peda is a distortion with a blendable analog octave up and a booster
    • Features 3 different clipping options: Symmetrical Silicon, Asymmetrical Silicon & LED, and pure OpAmp Drive
    • Distortion and booster can be used independently
    • Expression and footswitch control over analog octave up
    • Octave blend allows total control over how much Octave is mixed into the circuit
    • True bypass with silent relay based soft touch switches
    • Features EarthQuaker Devices’ proprietary Flexi-Switch® Technology
    • Lifetime warranty
    • Current Draw: 15 mA
    • Octave Distortion: Input impedance: 1 MΩ / Output impedance: <1 kΩ
    • Booster: Input Impedance: 500 kΩ / Output Impedance: <1 kΩ
    • Boxed Dimensions: 6.5” x 5.25” x 3.25” - 1.53 lbs
    • Out of Box Dimensions: 5.75” x 4.75” x 1.5” – 1.195 lbs
    Price: $299.00
  • EH Pico Pog Polyphonic Octave Genereator
    EH Pico Pog Polyphonic Octave Genereator
    Music’s best octave pedal in a powerhouse pico package!

    EHX’s smallest and most powerful compact Polyphonic Octave Generator yet. The Pico POG takes the streamlined simplicity of the Micro and Nano POGs and fits it all into an ultra-compact chassis and adds a powerful tone control. The tightest octave effect now fits on the tightest of pedalboards.

    The EHX Pico POG features a lighting fast feel that will track every note and chord you play with precision. Dial in Sub Octave to add stumble rumble or monstrous thunder. Add Octave Up for ethereal air or max it out to shred into another galaxy. Perfectly blend 3-voice tones for fat synthy madness. The 3 mode Tone control lets you tailor your sound to fit into any pocket no matter how massive or small.

    Controls on the Pico POG include dedicated volumes knobs for the SUB OCTAVE, OCTAVE UP, and DRY voices. These three controls act as a mixer for infinite possible voice mixes. The TONE knob features three modes controlled by the FILTER button. In Tone Mode, the knob acts as a tilt-EQ with a flat frequency response in the center, more treble and less bass as you turn the knob clockwise, and less treble and more bass as you turn the knob counterclockwise. In this mode, the EQ is applied to all 3 voices. In Low Pass Filter mode, the knob cuts highs in the Sub and Octave Up voices, while High Pass Filter mode cuts lows in the Sub and Octave Up Voices.
    • Lightning-fast tracking with perfectly precise octave tones
    • 3 volume knobs control level of SUB OCTAVE, OCTAVE UP, and DRY tones
    • TONE knob with 3 filter modes
    • Tone Mode applied tilt-EQ to all output
    • Low Pass Mode applies a resonant low pass filter, which allows low frequencies to pass while cutting higher frequencies of the Sub and Octave Up voices
    • High Pass Mode applies a high pass filter, which allows high frequencies to pass while cutting lower frequencies of the Sub and Octave Up voices
    • Power adapter included
    Regular Price: $319.20
    Guaranteed Best Price: $240.00
  • EHX Lizard King Octave Fuzz Bass Pedal
    EHX Lizard King Octave Fuzz Bass Pedal
    Make way for the new heir to the octave fuzz throne, the Lizard King from Electro-Harmonix. Directly inspired by the EHX x JHS collaboration released in 2023, the Lizard King takes the gnarly and responsive octave fuzz circuit from the Lizard Queen and optimizes it for bass and beyond. With updated tone controls and a new Blend knob, the bass’s fundamental tone and low-end is preserved while the top-end of the fuzz tone is shaped to fit or dominate any mix! The EHX Lizard King is a fixed-gain fuzz that is dynamically responsive. Adjustments to your instruments volume affects the amount of fuzz. Lower instrument volumes create a clear, fuzzy overdrive, while full instrument volume sends the gain over the top for ripping riff and searing solo tones. The familiar VOLUME and OCTAVE knobs control overall output and octave blend volume respectively. New to the Lizard King, the BLEND knob sets the mix between your clean and fuzz tones to create the perfect balance of fuzz while retaining your bass’s attack and low-end. The TONE knob is a low pass filter that rolls off the highs, while the SUN/SHADOW switch further enhances the tone of the octave fuzz and clean tones. SUN boosts the octave fuzz with a more driving midrange, and the clean tone accessed by the BLEND knob has more treble and bass frequencies. When the switch is set to SHADOW, the clean tone is unchanged, and fuzz tone is tighter.
    • Vintage-style octave fuzz optimized for bass
    • Inspired by EHX x JHS Lizard Queen
    • BLEND knob mixes from 100% clean to 100% fuzz
    • TONE control smooths out the fuzz’s high-end
    • Unique OCTAVE knob blends in retro octave tone
    • SUN / SHADOW toggle for enhanced tone
    • True-Bypass
    • 9V Battery included (9V adapter optional)
    Regular Price: $171.60
    Guaranteed Best Price: $129.00
  • EHX POG 3 Polyphonic Octave Generator
    EHX POG 3 Polyphonic Octave Generator
    The world’s best octave effect just got better! The POG3 is the most powerful pedal in Electro-Harmonix’s revered line of polyphonic octave generators that continues to inspire and captivate musicians of all styles. At its core, the POG3 delivers lightning-fast tracking and perfect polyphony over 4 octaves with smoother tone and performance than ever before. From 12-string jangle to 6-voice drawbar organ sounds, the POG3 delivers an endless possibility of tone creation. The pedal has received many updates that further expand its tone shaping possibilities to enhance your performance on stage and in the studio.

    Featuring 6 voices including DRY, -2, -1, +5th, +1, & +2, you can mix each with individual sliders and create enveloping stereo effects with dedicated pan knobs and selectable LEFT/RIGHT/DIRECT outputs. The effects section has been expanded to offer envelope control and adjustable Q for the new multi-mode FILTER, enhanced DETUNE section with SPREAD, and individual DRY effect selection, plus the famous ATTACK slider for subtle or dramatic swell effects. All voices, effects, and additional features are now controllable via expression and MIDI for even more creative control. Unlock new expression effects including Freeze, Glissando, Volume, Filter, X-Fade, and Warp with advanced programming and performance controls. The INPUT GAIN slider is an old friend from the original POG that can add girth and dirt to your tone mix.

    With all of this fresh tone creation power on tap, additional storage and editing options simply workflow and sound saving capabilities. 100 onboard presets can be saved and rearranged easily thanks to the POG3’s high-visibility OLED display and NAVCODER knob. The new EHXport desktop app also allows for easy preset storage and organization as well as streamlined preset editing on your PC or MAC.

    Discover your most creative self with the POG3!
    • Six separate voices: DRY, -2 OCT, -1 OCT, +5TH, +1 OCT, +2OCT
    • 100 presets
    • Three separate 1/4″ outputs – LEFT, RIGHT, DIRECT OUT
    • Individual pan controls to separate voices between LEFT and RIGHT output jacks
    • Enhanced classic POG and POG2 ATTACK, FILTER, and DETUNE controls
    • INPUT GAIN control
    • MASTER VOLUME control
    • FOCUS control for +1 OCT and +2 OCT
    • Multimode Filter with Q and Envelope sweep
    • All controls can be saved to presets and controlled via expression and/or MIDI
    • Illuminated slide pots and buttons
    • High-visibility OLED graphical display
    • Selectable “home” views for personalized user experiences
    • Easy-to-navigate menu system
    • New NavCoder knob allows rotary and directional navigation through menus
    • EXPRESSION / CV input offers multiple modes of expression
    • USB-C port to connect to Windows or Mac and interface with EHXport™ app
    Price: $645.00
  • Electro Harmonix Attack Decay Tape Reverse Simulator
    Electro Harmonix Attack Decay Tape Reverse Simulator
    The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it’s known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects. The freshly designed EHX Attack Decay reinterprets the classic and keeps its cool factor, but adds some modern features for convenience and enhanced functionality.

    It can produce a single volume envelope like the original, or, with Poly engaged, put separate volume envelopes on each note you play. The built-in Harmonix fuzz is now a fully controllable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give the user total control over their Attack Decay!
    • Volume envelope manipulation with adjustable Attack and Decay times
    • Mono mode: one volume envelope at a time, the envelope resets when you play a new note
    • Poly mode: gives each note you play its own envelope
    • Built-in, fully adjustable, Harmonix fuzz enhances the volume envelope effect and produces bowed instrument sounds
    • Built-in effects loop allows for your own pedals to be inserted onto the volume envelope
    • Expression pedal or CV control over every knob on the Attack Decay
    • Save and recall up to three presets
    • Power adapter included
    Regular Price: $207.50
    Guaranteed Best Price: $156.00
  • Electro Harmonix Pitch Fork Plus
    Electro Harmonix Pitch Fork Plus
    The Pitch Fork®+ features two independent pitch shifting engines with full control over each. Both will transpose your pitch up or down over a +/- three octave range and detune +/-99 cents. With rock solid tracking, an organic, musical tone and extensive control, it’s your ultimate harmonizer.

    Features:
    Dedicated volume controls for both Shift voices and the Dry signal.
    • Two outputs, Main and Aux, with multiple routing options.
    • 10 unique factory presets plus the ability to easily save/recall 100 programs.
    • A Bypass footswitch that toggles between effect on and buffered bypass. In latch mode it switches between effect and bypass mode. In Momentary mode the effect is on when the FS is held down and the pedal enters bypass when it’s released.
    • A User footswitch that’s programmable and can be assigned to a variety of functions such as muting either Shift voice or jumping to a preset program. It features a dedicated LED.
    • An EXP input for EXP or CV control over a broad selection of parameters in three sub-menus: Frequency, Glissando and Volume.
    • An EXT input for connecting an external foot controller like EHX’s Triple Foot Controller which enables players to change modes, enter/exit sub-menus and load presets.

    • Eight modes, including X-MOD, which features cross-modulation that creates FM and ring mod type effects, LATCH, based on the original Pitch Fork, but with enhancements to the Momentary mode functionality

    Regular Price: $312.60
    Guaranteed Best Price: $246.70
  • Electro Harmonix POG2 Polyphonic Octave Generator
    Electro Harmonix POG2 Polyphonic Octave Generator
    Back in 2005, Electro-Harmonix unveiled the original POG, a polyphonic octave generator that enabled guitarists to conjure everything from the surreal jangle of an 18-string guitar, to rich, thick walls of symphonic sound. The EHX POG2 Polyphonic Octave Generator will take you even higher. Use the new attack control to fade in lush, smooth swells. Tune in the new second sub-octave to reach deeper than ever before. The 2-pole resonant low-pass filter now includes two additional Q modes. Slide in the newly enhanced detune to further refine your sound.
    • True bypass
    • Totally programmable 8-preset memory with instant recall four polyphonic mixable voices + your guitar
    • Attack delay slider controls the fade-in speed of the octaves
    • Low Pass filter with selectable Q
    • Dry signal can be routed through the Attack, LP, and Detune faders
    • Flawless polyphonic glitch-free tracking
    • Can be daisy chained with other pedals and power supplies
    • Power adapter included
    Regular Price: $506.70
    Guaranteed Best Price: $400.00
  • Electro-Harmonix Pitch Fork Polyphonic Pitch Shifter
    Electro-Harmonix Pitch Fork Polyphonic Pitch Shifter
    The Pitch Fork transposes an instrument’s pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage. The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal. The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it’s pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass. In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal’s range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork’s footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input. The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

    •  Transposes over a +/- three octave range
    •  Three shift modes: up, down or dual
    •  11-position Shift knob selects the transposition interval
    •  EXP input lets you control pitch shift or glissando via optional expression pedal
    •  Latch and Momentary modes affect how the footswitch and EXP input behave
    •  Comes with EHX 9.6DC-200mA AC Adapter, can also run off a 9V battery
    •  Dimensions in inches: 2.75 (w) x 4.5 (l) x 2.1 (h)
    •  Dimensions in mm: 70 (w) x 115 (l) x 54 (h)

     

    Regular Price: $250.60
    Guaranteed Best Price: $197.80
  • Walrus Audio Fable: Granular Soundscape Generator
    Walrus Audio Fable: Granular Soundscape Generator
    In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old but in part very new. They are referred to as… Fable.

    Let your storybook adventure grow with the Fable Granular Soundscape Generator. The Fable creates new sonic adventures with five granular delay programs centered around sample and chop algorithms. The Fable generates its wonder with a dual feedback path developed by DSP engineers at Walrus Audio. With two DSP chips, your signal is run through two separate effects in series (independently controlled by the Feedback and Regen Knobs), then the signals are run back through both DSP chips again before going through the output. What does that mean? Artists will discover unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

    What exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they’re read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, to achieve different effects.

    It’s a powerful but complex technique and we’ve created five streamlined programs in the Fable that explore different aspects of its sonic range.

    Programs
    I. Reverse Delay into Reverse Granular
    Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

    II. Forward Delay into Octave Up Granular
    Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

    III. Analog-Style Delay into Octave Down Granular
    Program 3 runs a warm, dark analog-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combined with analog-style processing to create deep, thunderous footfalls and thick, murky ambience.

    IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)
    Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

    V. Forward Delay into Randomized Pitch Granular
    Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.

    Price: $299.99
  • Walrus Audio Melee: Wall of Noise
    Walrus Audio Melee: Wall of Noise
    We give you the two most quintessential effects that yield unruly amounts of power and influence to an instrumentalist: reverb and distortion. They have been harnessed and woven together for an eternity of ethereal power with The Melee: Wall of Noise. The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb programs Ambient, Octave, and Reverse.

    In a less is more approach, we’ve intentionally decided on controls that are fun to use and will inspire a wealth of creative output. Use the joystick to control the amount of distortion by moving it up and down. Moving the joystick left and right will adjust your reverb mix. The tone and decay toggles have low, medium, and high settings. Modulation can be added to the wet signal by holding down the bypass switch and moving the decay toggle. The left position is no modulation, the middle is a slight modulation, and the right is a high modulation.

    ALGORITHMS

    The Melee is equipped with three different reverb programs, which can be changed by simultaneously pressing the bypass and sustain stomp switches. Experiment with the order toggle switch to hear how differently these all react in front and after the distortion!

    • Ambient Reverb (Pink LED) - Huge reverb capable of massive trails and engulfing your chords into an angry wash of sound. Great for soaring melodic lines or shoegaze-driven chord progressions.
    • Octave Down Reverb (Yellow LED) - Similar to the Dark mode in the Slö, you’ll find an eerie lower octave hovering in the reverb trail for a nice and dark atmospheric touch.
    • Reverse Reverb with Feedback (Blue LED) - Add reversed reverb trails back into your signal, create gentle melodies or push into reverse feedback overload. Big, slow, and sad chords love to hang out here.

    MOMENTARY
    Press and hold the sustain switch to ramp up the reverb trails. Release and the trails will ramp back down to where the decay switch is currently set. The sustain switch can also latch in all three programs. Press and release the Sustain switch to capture and sustain the current reverb decay for long pad-like sounds in your wet mix. Press again to release the latch, and the reverb trail will taper off based on the position of the decay knob.

    Price: $299.99